Showing posts with label blouse. Show all posts
Showing posts with label blouse. Show all posts

Wednesday, March 18, 2015

Outlander - L (final)

Let's face it, who hasn't watched Outlander and wanted to make a costume?  It's winter, it's raining, and plaid!  With knitted stuff!  I've seen posts about Outlander costumes all over the place, and I want one too.  And yet, it's another 'Lord of the Rings' moment for me.  So many Claire costumes, and all done by lovely girls.  Fragile and delicate in their yards of plaid skirts.  If I looked like that, I would be wearing it.  Right now.  Being me, though, I had two problems:  I would look like fairly-tale giant in those dresses, AND I sorta like the guys clothes better.  In a fit of early morning inspiration (or a profound lack of coffee) I decided that I wanted to make something inspired by the guys, and that their clothes reminded me of mid-teens ladies wear.  I have a whole Pinterest board of images but here are my favorite inspiration pictures.

This blouse, in white (and not shiny)
Girl in the Plaid Skirt.


I have been informed, by more than one person, that this will be the most obscure costume EVER.  No one will get it.  La la la la....not listening.  This is one of those costumes I'm making because I just really want to make it.

I started with the knitting.  Gave me time to think about the other stuff.  These are from free patterns on Ravelry and very easy.  Mitts and a beret.  Because it ain't an Outlander costume without knitted stuff.

I burned some stash yarn I had laying around.  I buy yarn because I like it and it's on sale and never have plans to make anything with it.  This is a much lighter weight yarn than the patterns called for but the result is soft and not warm.  Which is really good because here on the California coast I rarely get cold.




The Skirt
Initially I wanted to make a hobble skirt, but they were long out of fashion during the beginning of WW1.  And hobble skirts and pleats sounds pretty nightmarish.  From 1915 to 1918 skirts tended to be mid calf and full near the hem.  I spent hours looking at plaid fabrics online.  There were lovely wools that would break the bank (or at least destroy my travel budget).  There were decent medium weight cotton options but I didn't like the colors.  And there there was heavy cotton flannel.  Possibly the worst fabric choice I could make, but exactly the plaid I wanted.  So I picked the wrong fabric!

Because of the thickness, I had to forego a hem in order to get the pleating right.  Luckily the fabric is heavy and the selvedge wasn't weird.  Then I spent hours and two boxes of pins pleating it.  I left a smooth panel in front and a smaller smooth panel in back.  All the pleats fold toward the back.  I used my widest hip measurement while sitting for the skirt width.  And then I vinegar pressed the pleats.


I'm sure no one is surprised that even vinegar pressing will not hold a pleat in cotton flannel.  At this point I wrapped this big, pin covered piece of fabric around me and determined where I wanted the hem and where I wanted the pleats to start being stitched down.  Then I sewed a tiny seam along all the folds to hold them in place.  From the hip to the waist, I wanted the pleats stitched down.  But first I needed to cheat them in to match my hip curve and end up matching my waist measurement.  That required patience and math.  Then it was just a waistband, hook closure, working buttons on the left and decorative buttons on the right.  I made two sets of buttons (top and bottom) to channel the mid-teens look.





Blouse
Most every blouse I looked at for this period has a sort of sailor collar.  But I don't want a sailor collar.  I also don't want a high closed collar because they are kind of claustrophobic.  I decided on a high, two piece collar and I would add a button in jabot.  I use this Kwik Sew pattern a lot.  It lies.  It is not quick.  Two part collar, yoke, and lots of topstitching.  I use it for it's parts because then I don't have to draft them.  This time, I added bust fullness at the shoulder and made pleats which requires more math than it seems like it should.  I also added about half an inch to the collar stand and the collar.  I made the sleeves longer and fuller and made up a cuff.  To control the fulness at the waist, I made top-stitched inverted box pleats in the front and back.  This means my shirt won't have ugly bunching and re-arranging while I'm wearing it.
front waist box pleats
pleating lines
top of nearly finished blouse



Next up was a jabot.  It seemed like a good compromise between the wrapped cravats from Outlander and lacy Edwardian neck decorations.  I looked at jabot patterns online and drew a picture of my estimate in 'real' size.  It took a few tries to get it right (using scrap paper for the test).  It's a simple Fibonacci curve that I tried to draw free hand.  Picture proof that my drawing skills are wretched.  I just kept trimming at the paper until I got it looking the way I wanted.  Then I cut fabric and hand hemmed it so the curves would lie nicely.


Made a little rectangle collar piece and added buttonholes at the ends (not shown).










I added buttons to match on the collar stand so I could button it in, or use the jabot on other blouses in the future.  The rest of this blouse was buttonholes and buttons.  Interminable.  But also pretty much exactly what I wanted.




Selvedge fringe
Jacket - I used a modern jacket pattern as a base.  It's 2 or 3 sizes too small for me except for the back shoulders so it was interesting.  I had to make it longer, fuller, add big cuffs, and add actual pockets rather than decorative flaps.  I used the fabric selvedge around the pocket and cuff edges for texture.  I didn't take a lot of pictures during construction because anything that could be a problem WAS a problem.   Nothing big, but everything was a fussy, time sucking annoyance.  The worst part was the decorative waistband that just didn't want to lay down and play nice.  In retrospect, I should not have laid the waistband over the gathered front.  I should have made the front into two pieces.  Now that it's done, I still don't really love it.  If I have time, I plan to do the waistband one more time.  And finally get it right.




Purse/Sporran - My final accessory!  I made a purse with a chain handle OR the handle can live inside and there are belt loops on the back.  I can hang it from a belt like a sporran.  I used very cheap fun fur that I had left over from a kid's costume.  I ran uneven gathering up the back of the fabric to mimic sewn pelts.  On close examination it looks like cheap fun fur.  From a distance it's not that bad.  Really.

You may be asking 'but where's the vest?' because the Outlander guys wear a lot of waistcoats.  I made one.  I didn't like it at all.  It didn't seems to fit with the WW1 look of the outfit and it didn't resonate with the look of the guys in the TV show.  The vest is on an extended time out.


All 19-teens, out for a walk
Results  -  I had to do the photos myself with a tripod and a timer which was a bit of a struggle.  All the blouse detail got blown out in the exposure.  I've added a couple pictures of the blouse that highlight the pleating and cuffs and jabot.

Golf balls 'cause Scotland!

I will kill at tennis


The pose in these blouse pictures is deviously designed to hide the fact that I'd just rolled outta bed, slapped on some eye make-up and was trying to hide a hangover.  I really can't drink.  Be kind.



remember...these guys

Monday, February 6, 2012

1912 Blouse for Dummies - VPLL 1912 Project

Our first pattern - Blouse EO191.  We made this to the pattern size since neither of us thought we would wear it as it wouldn't be flattering.  We made it up in white muslin, with the trim pieces in beige dotted cotton that we had laying about.  We wanted to make it fully lined and with most of the finishing (everything but back buttons).  We were not able to do any fittings during construction.  Apparently we are giants, and our smallest dress form was perfect except its neck which is HUGE.  The lack of arms was a problem too...
We are re-learning sewing after modest experience in our youth.  We opted to try to follow the instructions as written and write about how it worked for us.  Some of the instructions confused us, but we expected that.  Some of the choices we just didn't like and would do differently if we were making it for us.

Trim
Sleeve trim - sewing the bottom of the trim to the sleeve with a small turned-under hem would not be our choice although it may be the easiest choice with the curved hem.  We thought self-facing would look a lot nicer.  There are no instructions for attaching the top of the trim piece so we top stitched it to the sleeve.  Depending on the fabric used, there are doubtless better ways to do that too.
Neck trim - We chose to double the fabric because our fabric was very thin.  We needed the extra body, especially with the beads.  It didn't meet in the back, even though we took slightly larger pleats in the front of both the blouse and the lining.  This may be because of placement.  We aren't really sure.  Others didn't seem to have this problem.  It didn't lay flat on the shoulders once we put it on the blouse.  The blouse itself lay smooth on the dress form and the lining matched well.  Again, it could be placement, and solved by moving the trim higher up the neck.  We couldn't test that due to the dress form limitations (linebacker neck) and my unwillingness to make my 10 year old son cross-dress for this project.   And then the binding, the binding that  kicked out butts.  This is very obvious at the point in the front.  It's not symmetrical top and bottom.  We know what we did wrong.  We chose not to fix it and call it an awesome learning experience.  Here it is without the blouse.



Sleeves
They seem to stand out from the body and cant forward.  We assume this is period styling.  They went in easily using the pattern markings, although we had no ease (even though the pattern suggested we would).  When we sewing in the lining, we sewed it right under the binding added at the shoulder.
Blouse body and lining

We re-folded the pleats out of personal preference.  We took about an inch of additional volume out of the top.  We sewed the binding strips to the shoulders before we we sewed the side seams which was easier but not nearly as tidy looking after we sewed the side seams.
The lining had us stumped at first.  We started by lining it up at the neck and it just didn't fit.  It was far too small.  We un-pinned it and started over at the arm scythe and everything matched right up.  Thing is, we ended up having to trim quite a bit of fabric from the lining at the neck opening which made it too big.  We added a couple of pleats on the inside and it looks nice.

Too Large

Too Small









From the inside

We didn't like the blouse bottom finish in the front.  We thought a narrow binding strip over the gathers would look a lot better.
Finally, we really liked the little basque in the back.  We thought it would look a bit silly, but really ended up liking it.

Not Surprising -
The drawing of the blouse is much longer and leaner than the actual garment.




This took us 7 hours from cutting to final press and pictures.
One adult beverage (each)
About a '4' on the profanity scale (primarily due to the $*#&$ binding).
We planned to finish this in a day but we were pleasantly surprised when we actually succeeded.