I won a prize - Lisa

Is this epic silliness?  Heck, yes.  We finally got done enough with our Elizabethan outfits to wear them to the Renaissance fair.  Mine is done.  Could I do more?  Sure, but I'm DONE.

We wandered by the costume contest, partly to see it, and partly to allow the boy to go on the bungee jump trampoline thing.  While standing and watching him, I got recruited for the costume contest.  I'm sure it had nothing to do with the fact that it was supposed to be starting and there were only 4 entrants. Still I got 2nd place and that was fun.

(Can I do a quiet shout out to the young woman with the merchant class outfit that was flawlessly authentic and beautifully sewn?  She shoulda won it all.)

Fitting Marathon - L & R

Imagine, if you will, fitting multiple garments from multiple eras....  It was a whirlwind of activity as we took advantage of the July 3 early close in stock markets to fit everything that we were working on.  Every surface was piled in fabric.  The floor was scattered in pins.  Robin's foot was a sad and pained thing that swelled and throbbed.  And we got a LOT of stuff done.

What we did, and what we learned while doing it:
Lisa:
Petticoat - multiple layers sewn to a yoke for mid 19th century outfits.  I'd sewn the top layer including lace on the bottom flounce and just needed to attach it to the yoke.  Robin pinned it to the yoke, allowing a level hem.  We also experimented with a 'bum pad'.  Yes...I pinned a throw pillow to my butt..
1850's skirt - with the petticoat pinned, the skirt hem could be pinned.  Well, actually the waist.  We both had already trimmed near the bottom of our skirts, following the plaid, so we adjusted the hem at the waist.
1850's bodice - THIS was interesting.  Being small boned but fat, I cut the back of my bodice roughly 5 sizes smaller than the front.  I expect to have problems matching shoulder and side seams as a result.  I had already fit a muslin and cut and sewn a new one.  So this should have fit nearly perfectly.  HOWEVER, when I was sewing the new one, I couldn't remember if I'd matched the shoulder seam at the neck or armscye. I chose to match at the armscye leaving excess at the neck (we're talking 2 inches of excess).  When I put it on with all my underthings, NOTHING FIT RIGHT.  Poor Robin! (When she does stuff like this, it makes me doubt my initial fitting abilities, thinking "I can't be THAT bad, can I?" until I find out that she's jacked up something on her own  Dude!  I didn't jack it up!  It is entirely impossible to know what to do with all that extra fabric. It wasn't THAT BIG the first time.) Luckily, before too much had been done, we decided to re-stitch the shoulder and our optional bust dart and see what happened.  It was all the difference.  Seriously.  Suddenly, everything fit.
Elizabethan underthings - I finished them.  I put them on.  The farthingale was too long so I'm taking a big tuck all the way around between two hoops.  The corset straps needed grommets, so Robin marked where they were supposed to go and I put them in (and yes, one of them is backwards).
Elizabethan bodice - Robin had taken my measurements and I compared those to the pattern.  It seemed odd and didn't make sense.  I decided to cut the pattern size that went with my corset size and add a bit to the seams on the front and side back.  Turns out I didn't need them, and Robin pinned them out.

Robin: I'd taken the train into the city so that we could both use one car to get to Lisa's house. I lugged my cage crinoline, petticoat, corset, drawers and chemise just for the fitting of the Victorian stuff. I also had to carry my Vic skirt and bodice plus the Ren corset.  Talk about a pack mule.  With my slowly healing foot, carrying that stuff almost killed me.  And then, the fitting sessions did me in entirely.

Lisa adjusted my Vic skirt from the waistband. Adjusting it over a hoop skirt that sways uncontrollably is a nightmare.  I had to take frequent "foot elevation" breaks,which slowed the process.  Adjusting from the waist is a total pain in the fanny (and the foot) but sometimes it's the only way.  Standing still while someone fits you is pure torture, with or without injuries.  We were so tired we forgot to take pictures of Rob's skirt - but you can get a glimpse of the plaid here. (And WHAT is that LOOK on my face??? You'd think I'd discovered something nasty in my tote bag!)

The Vic bodice was interesting.  I was worried that it would be too tight in the back as I'd made 3/4" seams there, but Lisa ended up taking it in even more in that area (Rats!  I'll have to take the piping out to resew that!)

The Ren corset was easy as it was only strap placement. (Except that Lisa get the right shape and I just become a cylinder cuz my ribs won't squish and there's not much room between the ribs and the hip bones )All in all, it took us 5 hours, but it had to be done in order to continue our projects. We were mentally exhausted but pleased.  And I just LOVE my pink binding on the Ren corset! (Worn here with Victorian underthings.)

Renaissance Man's outfit

I've been told that "men don't wear OUTFITS" , but what else do you call this?  My patterns are from Margo Anderson's Elizabethan Gentleman's Wardrobe, which you can find here: http://margospatterns.com/Products/ElizWrdrb.html
I gave Roger a choice of pant silhouettes and he actually chose the pumpkin pants, stating that if he was going to wear a costume, he was going all out. Good on him!
The fabric is green velvet.  The doublet will be the one on the right, with a lot more trim but with hanging sleeves for temperature control.  The pumpkin pants will be green velvet backed with orange satin charmeuse and lined with cotton muslin  with orange charmeuse puffy underpants poofing out between the strips. Roger has already chosen his green and orange pheasant feathers combined with a grey ostrich feather for his cap. This year it'll be a flat cap because I'm not sure I'll have time to get heavy duty into millinery.  I already made his shirt, blogged here:http://idlehandsthems-fitsworkshop.blogspot.com/2012/05/i-shall-make-you-cambric-shirt-mens.html

Note:  I'm particularly indebted to this site:http://www.elizabethan-portraits.com/ , a source for much inspiration.

OK, it's now taken me days to unfold each page of the pattern to search for the proper pieces for the men's slops. Margo makes great patterns but there are so many pieces that finding what you need can be time consuming. I've decided that the canvass I have on hand will just have to work for these pants as the thought of yet another trip to Joanne's is killing me.
Last night I finally got down to cutting and actually sewed some seams. Oh, the progress! Before I got there, however, there were ADVENTURES IN DYEING. I stove-top dyed some muslin to use as the pant pane lining but I didn't agitate it enough and it came out blotchy. The next day I threw that and some undyed muslin in the machine, added a huge pot of boiling water to the machine's hot water and ran it through the agitator three times. Still splotchy, but different hues.  That's ok, the material will be used in different parts of the outfit and really won't be seen....much.
I cut out the base in canvass, the inner lining in white muslin, the panes in velvet, interfacing and dark green muslin for lining, and the orange charmeuse for the underlay that shows through the panes.  Next up will be adding the decorative trim.

I cut the lining by tracing from the pattern. Then I cut the interfacing.  The instructions said to trim off excess to 1/8 inch. Well, my seam allowance is 5/8 so i said to myself" Why don't I just cut them less 1/2" on each side and I won't have to trim?"  Nice idea except I forgot I did that, then used the interfacing as the template for the velvet.  That's why my velvet is skinnier.  That's why I will have to either re-cut the velvet or cut another two panes. I think I will just cut two more panes, even though the lining will be a different shade of green I used it all up).  Oh, well....

And today I realized that I basted the center pieces incorrectly.  I was supposed to sew the outside seams together, turn them, THEN baste the remaining raw edges.  I realized that this morning as I was going over how to put it together in my head and realized I'd screwed the pooch messed up yet again. At least I won't have to re-cut.....That is two "Doh!" experiences in a row.

Then THE DOG ATE MY HOMEWORK! Seriously, I came home to a masticated mass of pattern paper. That dang dog had MOVED A CHAIR in order to get up on it and get to the top of the dining room bureau to nab those pattern pieces.  I was too distraught to even look at what was damaged, I just gathered it all up and threw it in a box with a lid to be dealt with later. I'm not a fan of jig-saw puzzles and this will be a big one. Those patterns were expensive, Here are the decorated panes for the slops or pumpkin pants.  The panes go over the canvas base and charmeuse gathered overlay, then the overlay is stuffed with netting. The decoration is a 1 1/2' satin ribbon with gold 3/8" gold braid in the center, 3/16" gold looped braid on each side of the ribbon, and a looped green and gold braid next to the looped braid.  All in all, very fancy!

The pants are basted together and ready for the cannions.

Can I tell you how difficult it is to work with velvet? I'm doing everything I've read about, from using basting spray, hand basting, using a lot of pins, etc. and the velvet still crawls and wiggles all over the place.  I don't have a walking foot for my machine.  I've loosened the tension.  I sew a bit, release the pressure, sew a bit more and yet, I can't get it right.  It's not something you will be able to see unless you inspect closely, but there is not a perfectly straight seam anywhere on this garment.  I'm hoping the trim will distract the eye from the imperfections.  Of course, my boyfriend doesn't notice any of the mistakes and thinks these things are wildly funny. He even asked "Will these pants make my butt look big?" to which I answered with a resounding "Yes!"